Evelyn Serrano

artist + educator + community organizer + curator

CV

EDUCATION

 

2008   Theater of the Oppressed Workshops, University of Southern California, Los Angeles, CA

2004   Master of Fine Arts and Integrated Media, California Institute of the Arts, Valencia, CA

2002   Summa Cum Laude, Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD

1998-2000   Associate’s Degree, Sculpture Major, New World School of the Arts, Miami, FL

1995-1996   Latin American Literature, Art History, Epistemology, Aesthetics. Universidad de la Republica, Montevideo, Uruguay

1993-1994   Graphic and Industrial Design, Instituto Superior de Diseño Industrial, Havana, Cuba

PROFESSIONAL EXPERIENCE IN EDUCATION, ARTS, AND COMMUNITY PARTNERSHIPS

2012      Consultant, City of Santa Clarita Community Services Division

2010-present      Arts Specialist, Los Feliz Charter School for the Arts

Design and implementation of visual arts curriculum for grades K-6 that integrates math, language arts, social studies and science.

2009-present      Founder and Director, NOMAD LAB

2008-present      Adjunct Faculty, CalArts School of Theater

Teaching undergraduate-level coursework on arts and activism. Students explore the connections between social justice, civic participation and artistic and community-based practices, and acquire a contextual understanding of historical and contemporary artistic, political, social and urban factors relevant to social change and community organizing. Students interact and collaborate with a network of LA, San Diego and Tijuana-based community organizations, artists, performers and scholars working to advance social justice locally, nationally and transnationally.

2006-2010      Assistant Director of Programs, CalArts Community Arts Partnership (CAP), Valencia, CA.

In collaboration with CAP’s Director provide leadership and support to the staff, faculty, CalArts student instructors and programs with 41 schools, community partners, and city and county agencies in Los Angeles County. Participate in long-term planning for curricular and program development, sustainability, institutional integration, visibility and infrastructure of the program. Ensure ongoing assessment of educational programs and partnerships. In collaboration with Director establish vision, mission and strategic direction of the CAP programs. Set annual goals and objectives with program staff, deans, faculty, other CalArts departments, school districts and community partners. Design and implement pedagogy training forums for CAP program instructors and certified teachers. Design visiting artist forums. Supervise all CAP program coordinators, instructors, and CAP events.

1999-Present      Exhibiting Artist

Exhibited artwork in more than 50 group and solo art exhibitions throughout the United States, and in Cuba, Israel, Uruguay and Mexico in museums, galleries and public spaces such as the Museum of Contemporary Arts/Los Angeles, CUNY Center Arts Gallery, San Jose Biennial, Havanna Biennial, Estacion Tijuana, among others.

2006-2009      Adjunct Faculty, CalArts School of Art

Taught undergraduate-level coursework on relational, public and context-specific art practices. Students actively engaged their socio-political-critical contexts while creating individual and collective site-specific projects in the school’s surrounding neighborhoods. Students learned about the history of relational, dialogic and audience-centered hybrid practices. Through visits, forums and collaboration with LA-based arts collectives and community leaders students were trained in collaboration models, leadership, and community engagement.

2004-2009      Visiting Artist

New World School of the Arts in Miami, California Institute of the Arts in Valencia, the CEART in Mexicali, UCLA in Los Angeles, the University of Texas in Dallas, the Instituto Superior de Diseño Industrial in La Habana, and Marlborough School in Los Angeles

2008-2009      Panelist

Be The Change!, REDCAT Theater, Los Angeles, CA (Panel Moderator)

Raices de La Ceiba: Cuban Women Artists Share the Roots that Connect Them and Inspire Their Creative Landscape, Arts in the One World Conference, Los Angeles, CA

Motherhood and Revolution, Arts in the One World Conference, Los Angeles, CA

Show Up!, REDCAT Theater, Los Angeles, CA (Panel Moderator)

2008-2009     Editor and Artistic Director

Worked with young Los Angeles writers, teachers and professional graphic designers to produce writing anthologies such as Hart to Heart, Riding the Circle (3 volumes), Freeway Dreams and Food For Thought.

2004-2006       Public Programs Coordinator, CalArts Community Arts Partnership             (CAP), CalArts, Valencia, CA

In collaboration with the CAP leadership, established the strategic direction of CAP public programs and increased public awareness of CAP programs to a wider audience locally, nationally, and internationally. Scheduled, produced and managed over 50 concerts, performances, screenings, exhibitions, and CAP productions annually featuring the work of hundreds of youth participants and instructors. Supervised all personnel involved on a CAP event, exhibition or workshop including artists, musicians, contractors, caterers, drivers, technicians, and students. Organized and installed all CAP art exhibitions and developed didactic materials for the public. Provided event management, production and technical detail tracking for all CAP events including set-up, logistics, rental equipment, and production requirements such as audio, lighting, recording, videotaping, and photo documentation.

2003-04 Animation and Drawing Instructor, CalArts Community Arts Partnership (CAP), Center for the Arts Eagle Rock, SPMAP Animation Program, Eagle Rock, CA

Taught animation workshops for middle school-age youth participants covering a myriad of animation and drawing techniques. With co-instructors, oversaw the design and production of original video and animation projects created by workshop participants.

2003-04 Teaching Assistant to CalArts School of Art faculty Millie Wilson, CalArts, Valencia, CA

With faculty Millie Wilson, led critiques and group discussions for courses on feminist theory, film history, identity and representation.

CURATORIAL EXPERIENCE

2009

Postborder Proposals, Boathouse Gallery, Plaza de la Raza, Los Angeles, CA

Free Free Market, Friends of Contemporary Art Gallery, Los Angeles

Modes of Operation, University of Texas at Dallas, Texas

2008

StayBite, Artists for Social Justice, Mint Gallery, California Institute of the Arts, Valencia, CA

2006

The Art of the Book, Miami Dade Main Public Library, Miami, FL

Nowhere better than this place/Somewhere better than this place, 9th Havanna Biennial, La Habana, Cuba

On Home Project, Suarez Residence, La Habana, Cuba

2004

In Place of Place, Gonzalez Residence, Los Angeles, CA

There is No Place Like Place, Maya Residence, Tel Aviv, Israel

ART EXHIBITIONS

(*) Solo Shows

2012

You Are Breathing In It: Alternative Art Practices, Riverside Art Museum, Riverside, CA

2011

Dialogue Project, Valle del Oro Neighborhood, Newhall, CA

The Haunted Word, CB1Gallery, Los Angeles, CA

2010

Economy of Language, City Hall, Los Angeles, CA

 Spinteraction, LACE, Los Angeles, CA

Psychic Outlaws, Luckman Art Complex, CalState University, Los Angeles, CA,

2009

Spinteraction, Slanguage, MOCA, Los Angeles, CA,

Free Free Market, Performing Economies, Fellows of Contemporary Art Gallery, Chinatown Los Angeles, CA,

2008

Conventions and Attitudes: Habeas Lounge Project, CUNY Graduate Center Art Gallery, New York, NY

 Exchange Rate: An International Performance Exchange, Remy’s, Los Angeles, CA

Fronteras Imaginarias/ Imaginary Borders, Centro Estatal de las Artes, Mexicali, Mexico

The Horror of Tradition, Andrew Shire Gallery, Los Angeles, CA

* Spinteraction Tour No. 3, Manual Archives, Los Angeles, CA

 Spinteraction No.2 at the San Jose Biennial, San Jose, CA

Spinteraction No. 1 at The Long Weekend, Phantom Galleries, Pasadena, CA

2007 

The Other Project, CalArts, Valencia, CA

Migration Study, Phantom Gallery, Los Angeles, CA

2006

Knock, Knock, Whose Home?, Acorn Gallery, Los Angeles, CA

Lost Streams, Estacion Tijuana, Tijuana, Mexico

Nowhere better than this place/Somewhere better than this place, 9th Habana Biennial, La Habana, Cuba

On Home, at the artist’s former home in La Habana, La Habana, Cuba

2005

BLAM!, Little Tokyo, Los Angeles, CA

All Over the Place, One Night Gallery, Miami, FL

Genderosity, 4-F Gallery, Los Angeles, CA

The Meeting, Eagle Rock Center for the Arts, Los Angeles, CA

One Place, Brewery Project, Los Angeles, CA

Pigeon-Holed, Marlborough School Gallery, Los Angeles, CA

2004

In Place of Place, One Night Gallery, Los Angeles, CA

*Atopia. From Here to There, New World School of the Arts Main Gallery,       Miami, FL

There Is No Place Like Place, One Night Gallery, Tel Aviv, Israel

Supersonic: 1 wind tunnel, 8 schools, 120 artists, Art Center College of Design, South Campus, Pasadena, CA

Integrated Media Show, Main Gallery, CalArts, Valencia, CA

Mania for Coleslaw, Highways Performance Space, Santa Monica, CA

Angels and Demons, Black and White Studio, CalArts, Valencia, CA

Totem, D301 Gallery, CalArts, Valencia, CA

*Atopia, D301 Gallery, CalArts, Valencia, CA

Que? A los Medios de Difusion, 8th Havana Biennial, Espacio Aglutinador, Havana, Cuba

2003

Down To It, Crazy Space Gallery, Santa Monica, CA

 

Now and Now Again, The Wedge, Los Angeles, CA

Imbedded Integrated Media Show, Main Gallery, CalArts, Valencia, CA

*Essays on Home, D301 Gallery, CalArts, Valencia, CA

MFA2 Mid Residency Show, D301 Gallery, CalArts, Valencia, CA

2002

*Divertimentos, Mint Gallery, CalArts, Valencia, CA

Perceptions, Intermedia Festival, Johns Hopkins University, Baltimore, MD

Splash!, The Mill River Gallery, Ellicott City, MD

Commencement Exhibition, Maryland Institute College of Art, Baltimore, MD

*Tearing, Station Building, MICA, Baltimore, MD

Eight, The H. Lewis Gallery, Baltimore, MD

2001

Juried Undergraduate Exhibition, Decker Gallery, Baltimore, MD

Lotta Art, School 33 Art Center, Baltimore, MD

Text, Artscape Festival, Meyerhoff Gallery, Baltimore, MD

Floor, Artscape Festival, Decker Gallery, Baltimore, MD

2000

Group Show, H. Lewis Gallery, Baltimore, MD

Juried Student Show, New World School Gallery, Miami, FL

To the Edge of the Page, Dorsh Gallery, Miami, FL

Departing Perspectives, Espirito Santo Bank., Miami, FL

1999

New Works, Studio 10o3. Miami, FL

Rising Stars Festival, Miami Beach, FL

Group Exhibition, Studio 10o3. Miami, FL

Juried Student Show, Main Gallery, New World School of the Arts, Miami, FL

Juried Student Show, Main Gallery, New World School of the Arts, Miami, FL

Group Exhibition, Studio 10o3, Miami, FL

 

OTHER PROFESSIONAL ACTIVITIES AND SERVICE

2007-Present       Founder, Artists for Social Justice Collective

2006-Present       Co-founder, Valle del Oro Neighborhood Committee

2005-Present       Member, CalArts ICAP and Diversity Committees

2005       Member, BLAM! Collective

2004-2006       Founder and curator, One Night Gallery

2001-2002       President, Hispanic Club, Maryland Institute College of Art, Baltimore, MD

AREAS OF SPECIALIZATION

Community-based and context-specific hybrid arts practices/ Socially-engaged arts and activism/ Dialogic, relational and interactive arts/ Multidisciplinary pedagogy/ Theater of the Oppressed and Pedagogy of the Oppressed/ Visual and multimedia arts/ Community partnerships/ Public Art/ Adult and youth education/ Implementation of arts and pedagogical training programs for youth and adults/ Community organizing/ Demonstrated interest and experience across all arts disciplines and knowledge of contemporary art, theatre, music, dance, visual arts, photography, animation, writing and film-video